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After more than a decade in the game, Foals again embrace that love for the unconventional with the bravest and most ambitious project of their career: not one, but two astonishing new albums: Everything Not Saved Will Be Lost. A pair of releases, separate but related, they share a title, themes and artwork. Part 2 follows later in the year. “They’re two halves of the same locket,” frontman Yannis Philippakis explains. “They can be listened to and appreciated individually, but fundamentally, they are companion pieces.” Fundamentally tethered but possessing their own personalities, the two bodies capture the most compelling, ambitious and cohesive creations they’ve ever produced. Eager to break the traditional pop song structure which they felt they were becoming increasingly tapered to, the 20 tracks defy expectation. There are exploratory, progressive-tinged tracks alongside atmospheric segues which make the music an experience rather than a mere collection of songs. Yet the band’s renowned ability to wield relentless grooves with striking power and skyscraper hooks also reaches new heights. The album’s lead single Exits is a case in point, featuring Philippakis conjuring the image of a disorienting world via a contagious vocal melody. It’s a fresh anthem for Foals’ formidable arsenal, but also an ominous forecast. Exits signposts what to expect thematically from both instalments of Everything Not Saved Will Be Lost. The title is a warning that anything – from the tiniest fleeting moment of inspiration through to the planet’s own biological diversity – can be under threat of being irrevocably erased. It’s a theme that permeates throughout the album’s material, as Foals mirror the public neuroses that have been provoked by our current cultural climate. Paranoia of state surveillance? Fear of environmental collapse? Anxiety over Trump’s next potentially cataclysmic move? It’s all there in these apocalyptic songs.